{"id":12115,"date":"2022-01-24T12:16:31","date_gmt":"2022-01-24T11:16:31","guid":{"rendered":"https:\/\/kinoteka.mk\/?p=12115"},"modified":"2022-01-24T12:16:31","modified_gmt":"2022-01-24T11:16:31","slug":"jetet-ne-udhen-dytesore","status":"publish","type":"post","link":"https:\/\/staging.kinoteka.borkko.com\/sq\/jetet-ne-udhen-dytesore\/","title":{"rendered":"JET\u00cbT N\u00cb UDH\u00cbN DYT\u00cbSORE"},"content":{"rendered":"

Me rastin e Dit\u00ebve t\u00eb kinemas\u00eb s\u00eb Maqedonis\u00eb, n\u00eb kineman\u00eb “Tushkanac” t\u00eb Zagrebit, m\u00eb 23-27 shkurt 2010 dhe n\u00eb art-kineman\u00eb \u00a0“Kroacia”, Rijek\u00eb, 25-29 shkurt 2010.<\/p>\n

\"\"N\u00eb nj\u00eb artikull t\u00eb revist\u00ebs \u201cDNK\u201d, t\u00eb botuar nga “Dugo more” me baz\u00eb n\u00eb Rijek\u00eb, Marin Lukarevi\u00e7 b\u00ebn nj\u00eb paralele t\u00eb mir\u00eb mes kinemas\u00eb s\u00eb Rijek\u00ebs dhe hekurudh\u00ebs. T\u00eb gjitha kinemat\u00eb n\u00eb Rijek\u00eb, ato q\u00eb kan\u00eb humbur p\u00ebrgjithmon\u00eb dhe ato q\u00eb sfidojn\u00eb me sukses kinemat\u00eb komerciale, jan\u00eb \u00a0n\u00eb gjendje t\u00eb rrezikshme pran\u00eb hekurudh\u00ebs. P\u00ebr ata si Art-Kinema Rijeka, trenat qarkullojn\u00eb direkt n\u00ebn dritaret e zyrave.N\u00eb hapjen e Dit\u00ebve t\u00eb Kinemas\u00eb s\u00eb Maqedonis\u00eb, kur para filmit kryesor n\u00eb vend t\u00eb lajmeve klasike filmike u shfaq nj\u00eb kopje e restauruar e regjistrimeve filmike t\u00eb v\u00ebllez\u00ebrve Manaki, q\u00eb lidhin fillimet e filmit n\u00eb Ballkan, f\u00ebrsh\u00ebllima e trenit q\u00eb kalonte pran\u00eb Art-Kinemas\u00eb u d\u00ebgjua pik\u00ebrisht n\u00eb momentin kur n\u00eb p\u00eblhur\u00ebn filmike kaloi nj\u00eb tren me koka kuror\u00ebzuara q\u00eb e kan\u00eb vizituar Manastirin.Kjo ishte ndoshta hera e par\u00eb dhe e vetme q\u00eb nj\u00eb film pa z\u00eb i v\u00ebllez\u00ebrve Manaki mori versionin e tij zanor. Por, k\u00ebtu nuk p\u00ebrfundon rr\u00ebfimi yn\u00eb p\u00ebr trenat q\u00eb n\u00eb Dit\u00ebt e Kinemas\u00eb s\u00eb Maqedonis\u00eb p\u00ebrfunduan kryesisht n\u00eb binar\u00ebt e verb\u00ebr hekurudhor\u00eb, si dhe\u00a0 jet\u00ebt e protagonist\u00ebve t\u00eb tij.N\u00eb filmin ILUZION (2004) t\u00eb Svetozar Ristevskit, trenat e mallrave pothuajse duket se kalojn\u00eb n\u00ebp\u00ebr oborrin e sht\u00ebpis\u00eb s\u00eb heroit. Duke ikur nga nj\u00eb baba pijanec, nj\u00eb n\u00ebn\u00eb e cek\u00ebt n\u00eb mendje, nj\u00eb mot\u00ebr e p\u00ebrdal\u00eb dhe ngacmuesit n\u00eb shkoll\u00eb, t\u00eb udh\u00ebhequr nga djali i nj\u00eb oficeri policie lokale, q\u00eb p\u00ebrmasat e kok\u00ebs i ka si nj\u00eb derr. Protagonisti i tij 12 vje\u00e7ar gjen streh\u00ebn m\u00eb t\u00eb sigurt n\u00eb varrezat e trenave, n\u00eb binaret t\u00eb humbur dhe t\u00eb tejmbushura me bar\u00ebra t\u00eb k\u00ebqija.”Shpresa \u00ebsht\u00eb m\u00eb e keqja nga t\u00eb gjitha t\u00eb k\u00ebqijat, sepse ajo zgjat vuajtjet njer\u00ebzore.”Struktura e p\u00ebrgjithshme e filmit mb\u00ebshtetet n\u00eb citatin e Ni\u00e7es, i er\u00ebzuar me melankolin\u00eb e Satit (Gnossiennes) dhe nj\u00eb galeri personazhesh t\u00eb humbur q\u00eb ngjallin shpirtin e Kosta Racinit, ai poeti i pazakont\u00eb i munges\u00ebs s\u00eb shpres\u00ebs dhe mjerimit rinor. Motivi i \u201cdhun\u00ebs s\u00eb bashk\u00ebmoshatar\u00ebve\u201d \u00ebsht\u00eb tejet plastik.Dhe shnd\u00ebrrimi i nj\u00eb djali t\u00eb ndjesh\u00ebm n\u00eb njeri t\u00eb dhunsh\u00ebm do t\u00eb rezultoj\u00eb me nj\u00eb fund tragjik, pasiq\u00eb\u00a0 autori e vendos t\u00eb gjith\u00eb \u00e7\u00ebshtjen n\u00eb nj\u00eb kontekst politik, sepse vrasja ndodh pasi himni i Maqedonis\u00eb luhet n\u00eb nj\u00eb shfaqje shkollore.Ristevski nuk i jep heroit asnj\u00eb mund\u00ebsi p\u00ebr t\u00eb dal\u00eb nga situata e tij e v\u00ebshtir\u00eb, p\u00ebr ta r\u00ebnduar atmosfer\u00ebn me nj\u00eb doz\u00eb t\u00eb padurueshme pesimizmi dhe d\u00ebshp\u00ebrimi.Nj\u00eb marr\u00ebdh\u00ebnie e ngjashme midis nj\u00eb babai pijanec dhe djalit t\u00eb tij \u00ebsht\u00eb e pranishme n\u00eb filmin e mrekulluesh\u00ebm me metrazh t\u00eb shkurt\u00ebr t\u00eb Igor Ivanov – Izit \u201c\u0411\u0423\u0411\u0410\u0427\u041a\u0418\u201c (INSEKTE) n\u00eb vitin 2004. N\u00eb t\u00eb cilin protagonisti i tij, nj\u00eb djal\u00eb i rritur i pun\u00ebsuar n\u00eb nj\u00eb fabrik\u00eb p\u00ebr mbushjen e shisheve, m\u00ebson p\u00ebr vdekjen e babait t\u00eb tij. At\u00eb q\u00eb e b\u00ebri Ristevski i ngadalsh\u00ebm n\u00eb 103 minuta, Ivanov e sublimoi n\u00eb 15 minuta.Binar\u00ebt dhe gur\u00ebt e tyre n\u00ebn t\u00eb cil\u00ebt f\u00ebmija, si nj\u00eb koleksionist i pasionuar i insekteve, k\u00ebrkon eksponatet e tij, jan\u00eb s\u00ebrish k\u00ebtu si motivi kryesor. Dhe e vetmja m\u00ebnyr\u00eb p\u00ebr t\u00eb hequr qafe babain e dhunsh\u00ebm p\u00ebr djalin e ri \u00ebsht\u00eb t\u00eb vendos\u00eb kthes\u00ebn e gabuar dhe t\u00eb shkaktoj\u00eb nj\u00eb aksident treni. Ashtu si te djali i filmit ILUZIONI, njashtu edhe p\u00ebr djalin nga filmi \u201c\u0411\u0423\u0411\u0410\u0427\u041a\u0418\u201d (INSEKTE), ku p\u00ebrs\u00ebri treni kalon pran\u00eb sht\u00ebpis\u00eb, hakmarrja i imponohet si e vetmja zgjidhje p\u00ebr t\u00eb shp\u00ebtuar nga realiteti i ashp\u00ebr.<\/p>\n

\"\"Megjith\u00ebse filmi \u201c\u0422\u0415\u0422\u041e\u0412\u0418\u0420\u0410\u040a\u0415\u201d (TATUAZH) nga regjisori Stole Popov i xhiruar n\u00eb vitin 1991, \u00a0riciklon ikonografin\u00eb e filmit klasik t\u00eb burgut dhe e vendos at\u00eb n\u00eb nj\u00eb kontekst politik, sekuencat e tij m\u00eb t\u00eb mira hyr\u00ebse vendosen pik\u00ebrisht n\u00eb stacionin e trenit, ku protagonisti i tij arrestohet vet\u00ebm sepse polici dyshohej p\u00ebr \u00e7ant\u00ebn e tij gjysm\u00eb bosh, ku humori nd\u00ebrtohet me \u201csaundtrak\u201d i zgjedhur n\u00eb m\u00ebnyr\u00eb t\u00eb pazakont\u00eb.P\u00ebrpara se heroi t\u00eb largohet nga stacioni hekurudhor ku p\u00ebrpiqet t\u00eb gjej\u00eb pak qet\u00ebsi pas grindjes martesore, gruaja e tij ngrihet nga shtrati dhe ndez radion. N\u00eb vend t\u00eb muzik\u00ebs s\u00eb pritur d\u00ebgjojm\u00eb “The Clash” me “Rock the Casbah”. Nd\u00ebrsa Popov shikon galerin\u00eb e personazheve n\u00eb stacionin e trenit, t\u00eb cil\u00ebt i njohim nga vepra tjet\u00ebr e tij \u201cGIPSY MAGIC\u201c (MAGJIA CIGANE) n\u00eb vitin 1997, ai z\u00ebvend\u00ebson etno-stereotipet muzikore me rok. Absurdi b\u00ebhet motivimi i vet\u00ebm dramatik.Problemet ekzistenciale t\u00eb shoq\u00ebris\u00eb maqedonase p\u00ebrball\u00eb kolapsit t\u00eb sistemit socialist jan\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn rrug\u00eb me \u00e7\u00ebshtjen e besimit (por jo fes\u00eb) p\u00ebrmes dy portreteve t\u00eb Jezusit \u2013 t\u0435\u00a0 dyshi i tij i varur nga droga q\u00eb vdes n\u00eb teatralitetin e tepruar t\u00eb kuadrit dhe tatuazhi i tij n\u00eb gjoks t\u00eb heroit. Sepse, \u201cmilicia\u201d vret jo vet\u00ebm Ilijan n\u00eb fundin tipik holivudian, por edhe Jezusin e tij t\u00eb b\u00ebr\u00eb tatuazh, direkt n\u00eb gjoks.<\/p>\n

Ashtu si personazhi i policit t\u00eb dhunsh\u00ebm nga filmi ILUZIONI (Dejan Acimovi) edhe personazhi i rojes mizore n\u00eb filmin \u201e\u0422\u0415\u0422\u041e\u0412\u0418\u0420\u0410\u040a\u0415\u201c (TATUAZH) po b\u00ebhet nj\u00eb mish\u00ebrim i brutalitetit t\u00eb shtetit policor. Megjithat\u00eb, viktima m\u00eb e madhe e dhun\u00ebs n\u00eb burg \u00ebsht\u00eb autostopisti shqiptar q\u00eb ndodhi n\u00eb vendin dhe n\u00eb koh\u00ebn e gabuar.<\/p>\n

Por bashk\u00ebskenari Mirko Kovac \u00ebsht\u00eb mbi t\u00eb gjitha nj\u00eb shkrimtar i angazhuar politikisht dhe shoq\u00ebrisht, ndaj kjo mund t\u00eb shihet n\u00eb \u00e7do pore filmi, ndonj\u00ebher\u00eb edhe n\u00eb stereotipe t\u00eb panevojshme (personazhi i pashmangsh\u00ebm i nj\u00eb “tezeje” burgu i rezervohet grekut q\u00eb merr pseudonimin Pederakis, q\u00eb ndoshta \u00ebsht\u00eb fyerja m\u00eb e madhe q\u00eb mund t’i atribuohet njer\u00ebzve q\u00eb nuk reshtin s\u00eb debatuari me Maqedonin\u00eb p\u00ebr kontestin me emrin).<\/p>\n

\"\"Krahas personave \u201cg\u0435\u0458\u201d dhe femrave, n\u00eb dit\u00ebt e Kinematografis\u00eb s\u00eb Maqedonis\u00eb m\u00eb keq kan\u00eb kaluar macet dhe disa shqiptar\u00eb. N\u00eb filmin \u201cT\u0415\u0422\u041e\u0412\u0418\u0420\u0410\u040a\u0415\u201d (TATUAZH), macja p\u00ebrfundon e varur n\u00eb oborrin e burgut, dhe n\u00eb filmin \u201c\u041f\u0420\u0415\u0414 \u0414\u041e\u0416\u0414\u041e\u0422\u201d (PARA SHIUT) n\u00eb vitin 1994 nga regjisori \u00a0Mill\u00e7o Man\u00e7evski, macja p\u00ebrfundon e vrar\u00eb n\u00eb \u00e7atin\u00eb e nxeht\u00eb ballkanike prej kallaji – “\u00cbsht\u00eb e pafalshme!”, shkruan Aldo Paquola pas \u00a0premier\u00ebs n\u00eb Qendr\u00ebn Kulturore Kroate (HKD) n\u00eb Rijek\u00eb.<\/p>\n

Man\u00e7evski harmonizoi n\u00eb m\u00ebnyr\u00eb poetike dhe natyralizmin e filmit t\u00eb zi, dhun\u00ebn ballkanike n\u00eb p\u00ebrleshjet dhe jotoleranc\u00ebn e maqedonasve dhe shqiptar\u00ebve, si dhe mesazhet universale t\u00eb humanizmit, dashuris\u00eb, miq\u00ebsis\u00eb dhe mir\u00ebsis\u00eb tragjike (prifti ortodoks q\u00eb \u00ebsht\u00eb betuar p\u00ebr heshtje n\u00eb manastir fsheh nj\u00eb t\u00eb re shqiptare q\u00eb ik\u00ebn nga nj\u00eb hakmarrje gjaku).<\/p>\n

Por p\u00ebr t\u00eb lajkatur elit\u00ebn e bardh\u00eb t\u00eb festivalit q\u00eb i dha Luanin e Art\u00eb, ai ndjek ligjet per\u00ebndimore n\u00eb portretizimin e \u201cthertores ballkanike\u201d si nj\u00eb bastion i konfliktit fisnor n\u00eb t\u00eb cilin t\u00eb gjith\u00eb jan\u00eb nj\u00eblloj fajtor\u00eb.<\/p>\n

Por nd\u00ebrsa Man\u00e7evski pun\u00ebson dy aktor\u00eb t\u00eb huaj t\u00eb shquar, Catherine Cartridge q\u00eb u largua para kohe dhe asketin Gregoire Kolan, Antonio Mitriqeski pun\u00ebson Robert England n\u00eb filmin \u201e\u041a\u0410\u041a\u041e \u041b\u041e\u0428 \u0421\u041e\u041d\u201c (SI \u00cbND\u00cbRR E KEQE) xhiruar n\u00eb vitin 2002, i cili \u00ebsht\u00eb vendosur n\u00eb nj\u00eb makth, n\u00eb MAKTH N\u00cb RRUG\u00cbN E PISHAVE (A Nightmare in Elm Street, 1984), do t\u00eb thot\u00eb edhe nj\u00eb tjet\u00ebr makth, nd\u00ebrsa sall\u00ebn e student\u00ebve e kthen n\u00eb teat\u00ebr, duke u dh\u00ebn\u00eb student\u00ebve nj\u00eb leksion mbi fajin dhe t\u00eb keqen si nj\u00eb recitim i keq shekspirian.<\/p>\n

Ashtu sipersonazhi \u201cPederakis\u201d n\u00eb filmin \u201c\u0422\u0415\u0422\u041e\u0412\u0418\u0420\u0410\u040a\u0415\u201d (TATUAZH), k\u00ebtu kemi imazhin e nj\u00eb \u201cpederasti tragjik\u201d t\u00eb dashuruar me personin e gabuar. Ndon\u00ebse Zagrebi po b\u00ebhet si \u00e7do qytet tjet\u00ebr evropian, lagjja e tij imagjinare e fener\u00ebve t\u00eb kuq me tranvestit\u00eb dhe prostituta n\u00eb vitrinat e dyqaneve, q\u00eb ndodhet pak hapa larg Kaptolit, po b\u00ebhet gazmore. Por viktimat m\u00eb t\u00eb m\u00ebdha n\u00eb film jan\u00eb ende grat\u00eb. Te Mitriqeski dhe Dukovski ka dy lloje femrash: \u201cPenelope\u201d dhe \u201cshenjtore\u201d.<\/p>\n

\"\"E para \u00ebsht\u00eb n\u00eb pritje t\u00eb bashk\u00ebshortit t\u00eb saj, i cili kthehet nga thertorja e Ballkanit dhe p\u00ebrdhunohet menj\u00ebher\u00eb, dhe e dyta shfaqet n\u00eb qelin\u00eb e heroit t\u00eb veshur si N\u00ebn\u00eb Tereza, si engj\u00eblli i filmit \u201cENGJ\u00cbJ N\u00cb AMERIK\u00cb\u201d (Angels in America (dram\u00eb) e Toni \u00a0Kushnerit).<\/p>\n

Por dramaturgu Dejan Dukovski nuk resht s\u00eb shkruari at\u00eb \u201chemorroide ballkanike n\u00eb byth\u00ebn e bot\u00ebs\u201d nga drama \u201c\u0411\u0423\u0420\u0415 \u0411\u0410\u0420\u0423\u0422\u201d (BURE BARUT) n\u00eb vitin 1998, e cila u p\u00ebrshtat n\u00eb film t\u00eb Goran Paskaljevic , n\u00eb t\u00eb cilin nd\u00ebrthuren si n\u00eb nj\u00eb \u00ebnd\u00ebrr t\u00eb keqe fatet tragjike t\u00eb t\u00eb d\u00ebshp\u00ebruarve n\u00eb mallkimin e tyre antropologjik ku Mane i Manojlovi\u00e7iz kthehet n\u00eb Beograd nga diaspora e Parisit dhe i k\u00ebrkon nj\u00eb taksisti nga aeroporti q\u00eb ta \u00e7oj\u00eb n\u00eb nj\u00eb kish\u00eb p\u00ebr t\u00eb ndezur nj\u00eb qiri p\u00ebr shpirtrat e t\u00eb vdekurve. Tani Satani i Manojlovi\u00e7it po kthehet n\u00eb rajonin e Maqedonis\u00eb nga nj\u00eb luft\u00eb tjet\u00ebr ballkanike. Ndoshta ai nuk e priste q\u00eb ajo hemorroide t\u00eb ishte aq e keqe saq\u00eb as operacioni m\u00eb i sakt\u00eb nuk do mund ta shkat\u00ebrroj\u00eb.<\/p>\n

Prandaj, n\u00eb vend t\u00eb kirurgjis\u00eb klasike, operacioni kryhej me forca ky\u00e7e. Prandaj, t\u00eb gjith\u00eb p\u00ebrpiqen t\u00eb fshijn\u00eb nga n\u00ebn nd\u00ebrgjegjja p\u00ebrvojat e tyre traumatike duke arkivuar t\u00eb kaluar\u00ebn e p\u00ebrgjakshme n\u00eb sirtarin e nj\u00eb \u00ebndrre t\u00eb keqe. Vet\u00ebm p\u00ebrgjigja e pyetjes: \u201e\u041c\u0430\u043c\u0435 \u043c\u0443 \u0435\u0431\u0430\u043c, \u043a\u043e\u0458 \u043f\u0440\u0432 \u043f\u043e\u0447\u043d\u0430?\u201c (Ia kal\u00ebrofsha n\u00ebn\u00ebn, kush ia filloi i pari?) si\u00e7 shkruhet n\u00eb titullin origjinal t\u00eb dramaturgut – n\u00eb filmin BURE BARUT, ai p\u00ebrpiqet ta gjej\u00eb n\u00eb ringun e boksit. Ndeshja do t\u00eb p\u00ebrfundoj\u00eb me vrasje. Vras\u00ebsi hip n\u00eb nj\u00eb tren dhe kryen vet\u00ebvrasje, duke shp\u00ebrthyer nj\u00eb bomb\u00eb n\u00eb dhom\u00ebz\u00ebn ku ndodhet vajza q\u00eb po udh\u00ebton p\u00ebr t\u00eb vizituar djalin e sapomobilizuar. Trenat, pra, mbeten konstante n\u00eb k\u00ebt\u00eb zon\u00eb, p\u00ebrve\u00e7 se n\u00eb Paskaljevi\u00e7 ata z\u00ebvend\u00ebsohen me autobus\u00eb t\u00eb qytetit dhe varka lumore me orkestra t\u00eb plota simfonike.<\/p>\n

Tek regjisori Branko Gapo n\u00eb filmin \u0412\u0420\u0415\u041c\u0415, \u0412\u041e\u0414\u0418 (KOH\u00cb, UJ\u00cbRA) n\u00eb vitn 1980, lumi b\u00ebhet shkak i p\u00ebr\u00e7arjes. Ndon\u00ebse \u00ebsht\u00eb filmuar 30 vite m\u00eb par\u00eb, ai po b\u00ebhet m\u00eb aktual se kurr\u00eb, si nj\u00eb tregues i llogaritur i koh\u00ebs kur uji do t\u00eb kthehet n\u00eb ar\u00eb t\u00eb that\u00eb. Heronjt\u00eb e tij, fshatar\u00ebt e Sushev\u00ebs, t\u00eb cil\u00ebt p\u00ebrballen me munges\u00ebn e ujit t\u00eb nevojsh\u00ebm p\u00ebr mbijetes\u00eb, me bekimin e priftit ndryshojn\u00eb drejtimin e lumit dhe fillojn\u00eb t\u00eb vjedhin ujin nga fshati fqinj Kamenovo, vet\u00ebm q\u00eb tani fshatar\u00ebt jan\u00eb z\u00ebvend\u00ebsuar me m\u00eb shum\u00eb. Korporata t\u00eb fuqishme shum\u00ebkomb\u00ebshe.<\/p>\n

\u00a0<\/em><\/p>\n

Filmi i Gapos \u00ebsht\u00eb i vetmi q\u00eb \u00ebsht\u00eb larguar disi nga pashpresa dhe d\u00ebshp\u00ebrimi i p\u00ebrgjithsh\u00ebm q\u00eb dominonte Dit\u00ebt e Kinemas\u00eb s\u00eb Maqedonis\u00eb. Kjo \u00ebsht\u00eb arsyeja pse programit i mungonin disa forca t\u00eb reja q\u00eb do t\u00eb injektonin pak rast\u00ebsi lozonjare dhe do ta \u00e7lironin at\u00eb nga \u00e7ak\u00eblli teatror. Kjo \u00ebsht\u00eb ve\u00e7an\u00ebrisht e v\u00ebrtet\u00eb p\u00ebr Atanas Georgiev dhe dokumentarin e tij \u201c\u041f\u041b\u0410\u0422\u0418 \u0418 \u0416\u0415\u041d\u0418\u201d (PAGUAJ DHE MARTO) xhiruar n\u00eb vitin 2008. Heronjt\u00eb e t\u00eb cil\u00ebve rruga i kishte \u00e7uar edhe n\u00eb Vjen\u00eb, ku ata jan\u00eb ndalur n\u00eb purgatorin midis ferrit tranzicional maqedonas dhe parajs\u00ebs s\u00eb premtuar austriake, n\u00eb t\u00eb cil\u00ebn p\u00ebrpiqen t\u00eb hyn\u00eb duke bler\u00eb nj\u00eb grua p\u00ebr disa mij\u00ebra euro.<\/p>\n

N\u00eb vend t\u00eb dasm\u00ebs s\u00eb zhveshur me daulle q\u00eb shikon Mitriqeski, Georgievski na tregon fustanet e nus\u00ebris\u00eb n\u00eb vitrinat e dyqaneve q\u00eb q\u00ebndrojn\u00eb sikur jan\u00eb n\u00eb ndonj\u00eb hap\u00ebsir\u00eb \u200b\u200bt\u00eb paarritshme. \u00cbsht\u00eb nj\u00eb film maqedonas q\u00eb na p\u00eblqen m\u00eb shum\u00eb.\u00a0P\u00ebrktheu nga maqedonishtja: Miranda Alla Re\u00e7i.\u00a0Lekturoi: Arsim Leskovica\u00a0[1] Teksti u botua me lejen e botuesit \u201cShoqata Kroate e Filmit\u201d dhe autorit Dragan Rubesha<\/p>\n

<\/a>[2]<\/a>\u00a0Dragan Rube\u0161a , \u017divoti na sporednom kolosijeku \u2013 Povodom Dana Kinoteke Makedonije u kinu Tu\u0161kanac, Zagreb, 23-27. o\u017eujka 2010. i u Art-kinu Croatia, Rijeka, 25-29. o\u017eujka 2010. Hrvatski filmski ljetopis<\/p>\n","protected":false},"excerpt":{"rendered":"

Me rastin e Dit\u00ebve t\u00eb kinemas\u00eb s\u00eb Maqedonis\u00eb, n\u00eb kineman\u00eb “Tushkanac” t\u00eb Zagrebit, m\u00eb 23-27 shkurt 2010 dhe n\u00eb art-kineman\u00eb \u00a0“Kroacia”, Rijek\u00eb, 25-29 shkurt 2010. N\u00eb nj\u00eb artikull t\u00eb revist\u00ebs \u201cDNK\u201d, t\u00eb botuar nga “Dugo more” me baz\u00eb n\u00eb Rijek\u00eb, Marin Lukarevi\u00e7 b\u00ebn nj\u00eb paralele t\u00eb mir\u00eb mes kinemas\u00eb s\u00eb Rijek\u00ebs dhe hekurudh\u00ebs. T\u00eb gjitha […]<\/p>\n","protected":false},"author":7,"featured_media":11791,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[79],"tags":[],"class_list":["post-12115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritika-alb"],"acf":[],"yoast_head":"\nJET\u00cbT N\u00cb UDH\u00cbN DYT\u00cbSORE - \u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.kinoteka.borkko.com\/sq\/jetet-ne-udhen-dytesore\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JET\u00cbT N\u00cb UDH\u00cbN DYT\u00cbSORE - \u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430\" \/>\n<meta property=\"og:description\" content=\"Me rastin e Dit\u00ebve t\u00eb kinemas\u00eb s\u00eb Maqedonis\u00eb, n\u00eb kineman\u00eb “Tushkanac” t\u00eb Zagrebit, m\u00eb 23-27 shkurt 2010 dhe n\u00eb art-kineman\u00eb \u00a0“Kroacia”, Rijek\u00eb, 25-29 shkurt 2010. 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