{"id":14358,"date":"2022-11-18T14:14:46","date_gmt":"2022-11-18T13:14:46","guid":{"rendered":"https:\/\/kinoteka.mk\/?p=14358"},"modified":"2022-11-18T14:14:46","modified_gmt":"2022-11-18T13:14:46","slug":"interviste-me-kristian-risteski-regjisor-filmi-eshte-vetem-faji-im-qe-zgjodha-te-jetoj-ne-disa-nga-realitetet-mia-sikurse-personazhet-ne-film","status":"publish","type":"post","link":"https:\/\/staging.kinoteka.borkko.com\/sq\/interviste-me-kristian-risteski-regjisor-filmi-eshte-vetem-faji-im-qe-zgjodha-te-jetoj-ne-disa-nga-realitetet-mia-sikurse-personazhet-ne-film\/","title":{"rendered":"INTERVIST\u00cb ME KRISTIAN RISTESKI, REGJISOR FILMI: “\u00cbSHT\u00cb VET\u00cbM FAJI IM Q\u00cb ZGJODHA T\u00cb JETOJ N\u00cb DISA NGA REALITETET MIA, SIKURSE PERSONAZHET N\u00cb FILM”"},"content":{"rendered":"

T\u00eb gjith\u00eb jan\u00eb n\u00eb konflikt me t\u00eb gjith\u00eb p\u00ebr \u00e7do gj\u00eb dhe p\u00ebr gjith\u00e7ka, por nuk ka konflikt midis t\u00eb pasurve dhe t\u00eb varf\u00ebrve<\/em><\/p>\n

Shoq\u00ebrit\u00eb funksionojn\u00eb vet\u00ebm kur ka rregulla loje t\u00eb miratuara nga shumica. Sot k\u00ebtu, gjithandej, loja me rregullat e s\u00eb cil\u00ebs nuk kemi r\u00ebn\u00eb dakord \u00ebsht\u00eb – ne paguajm\u00eb taksa, ata i grabisin<\/em><\/p>\n

Intervistoi: Stojan Sinadinov<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\"\"<\/p>\n

T\u00eb gjith\u00eb jan\u00eb n\u00eb konflikt me t\u00eb gjith\u00eb p\u00ebr \u00e7do gj\u00eb dhe p\u00ebr gjith\u00e7ka, por nuk ka konflikt midis t\u00eb pasurve dhe t\u00eb varf\u00ebrve<\/p>\n

Shoq\u00ebrit\u00eb funksionojn\u00eb vet\u00ebm kur ka rregulla loje t\u00eb miratuara nga shumica. Sot k\u00ebtu, gjithandej, loja me rregullat e s\u00eb cil\u00ebs nuk kemi r\u00ebn\u00eb dakord \u00ebsht\u00eb – ne paguajm\u00eb taksa, ata i grabisin.<\/p>\n

Kristijan Risteski (Shkup, 1969), ka diplomuar n\u00eb vitin 1991 p\u00ebr regji t\u00eb filmit dhe televizionit n\u00eb Fakultetin e Arteve Dramatike n\u00eb Shkup.<\/p>\n

Filmografia e tij p\u00ebrfshin filmin me gjat\u00ebsi mesatare “Amaro, ma non troppo” (I hidhur, por jo shum\u00eb, 1997, TV), filmat e shkurt\u00ebr “Stay Straight” (2005), “Cut Here” (2016), dy seri dokumentar\u00ebsh dhe mbi 200 spote televizive reklamuese si regjisor, producent dhe skenarist.<\/p>\n

T\u00eb gjith\u00eb jan\u00eb n\u00eb konflikt me t\u00eb gjith\u00eb p\u00ebr \u00e7do gj\u00eb dhe p\u00ebr gjith\u00e7ka, por nuk ka konflikt midis t\u00eb pasurve dhe t\u00eb varf\u00ebrve<\/p>\n

Shoq\u00ebrit\u00eb funksionojn\u00eb vet\u00ebm kur ka rregulla loje t\u00eb miratuara nga shumica. Sot k\u00ebtu, gjithandej, loja me rregullat e s\u00eb cil\u00ebs nuk kemi r\u00ebn\u00eb dakord \u00ebsht\u00eb – ne paguajm\u00eb taksa, ata i grabisin.<\/p>\n

Kristijan Risteski (Shkup, 1969), ka diplomuar n\u00eb vitin 1991 p\u00ebr regji t\u00eb filmit dhe televizionit n\u00eb Fakultetin e Arteve Dramatike n\u00eb Shkup.<\/p>\n

Filmografia e tij p\u00ebrfshin filmin me gjat\u00ebsi mesatare “Amaro, ma non troppo” (I hidhur, por jo shum\u00eb, 1997, TV), filmat e shkurt\u00ebr “Stay Straight” (2005), “Cut Here” (2016), dy seri dokumentar\u00ebsh dhe mbi 200 spote televizive reklamuese si regjisor, producent dhe skenarist.<\/p>\n

“BOR\u00cbBARDHA VDES N\u00cb FUND ” ka marr\u00eb burime financiare nga Agjencia e Filmit n\u00eb vitin 2017, gjat\u00eb zhvillimit \u00ebsht\u00eb p\u00ebrzgjedhur n\u00eb dy programe t\u00eb zhvillimit t\u00eb skenarit, nj\u00ebkoh\u00ebsisht \u00ebsht\u00eb p\u00ebrzgjedhur n\u00eb dy markete dhe pasi ka p\u00ebrfunduar montazhin e p\u00ebraf\u00ebrt, \u00ebsht\u00eb p\u00ebrzgjedhur n\u00eb tre punim-programe n\u00eb festivalet e filmit n\u00eb Karlovy Vary, Sofje dhe Rom\u00eb.<\/p>\n

 <\/p>\n

\"\"<\/strong>BOR\u00cbBARDHA VDES N\u00cb FUND \u00ebsht\u00eb nj\u00eb histori e 3 historive t\u00eb nd\u00ebrthurura p\u00ebr 3 grupe njer\u00ebzish, nj\u00eb miz\u00eb, nj\u00eb derr, nj\u00eb tualet dhe Shkupin. Zakonisht nuk duhet t\u00eb k\u00ebrkosh mesazhe n\u00eb filma, por ideja \u00ebsht\u00eb pse \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb jesh njeri i mir\u00eb n\u00eb dit\u00ebt e sotme, besnik ndaj parimeve t\u00eb tua dhe nj\u00ebkoh\u00ebsisht t\u00eb tjer\u00ebt t\u00eb mos \u201ct\u00eb hipin\u201d mbi kok\u00eb? <\/strong><\/p>\n

\u00cbsht\u00eb e v\u00ebshtir\u00eb sepse bota \u00ebsht\u00eb shkat\u00ebrruar moralisht. Pakica e korruptuar \u201ci hip mbi kok\u00eb\u201d shumic\u00ebs s\u00eb ndershme, duke u p\u00ebrpjekur ta b\u00ebj\u00eb ta korruptuar si vetveten. Shoq\u00ebrit\u00eb funksionojn\u00eb vet\u00ebm kur ka rregulla loje t\u00eb miratuara nga shumica. Sot k\u00ebtu, gjithandej, loja me rregullat e s\u00eb cil\u00ebs nuk kemi r\u00ebn\u00eb dakord \u00ebsht\u00eb – ne paguajm\u00eb taksa, ata i grabisin. N\u00ebse nuk u mjaftojn\u00eb, do t\u00eb marrin kredi dhe do t’i grabisin ato para dhe ne do t’i kthejm\u00eb. Pra, \u201c\u00e7do gj\u00eb shkoi n\u00eb ferr pa e v\u00ebn\u00eb re\u201d. Globalisht, loja me t\u00eb cil\u00ebn shumica nuk ra dakord \u00ebsht\u00eb e ngjashme, vet\u00ebm grabit\u00ebsit jan\u00eb oligarkia, kapitalist\u00ebt m\u00eb t\u00eb m\u00ebdhenj. Tre amerikan\u00ebt m\u00eb t\u00eb pasur kan\u00eb m\u00eb shum\u00eb para se 200 milion\u00eb amerikan\u00ebt m\u00eb t\u00eb varf\u00ebr dhe nuk paguajn\u00eb pothuajse asnj\u00eb taks\u00eb. Dhe a shihni diku nj\u00eb konflikt klasash? Nuk ka asnj\u00eb. T\u00eb gjith\u00eb jan\u00eb n\u00eb konflikt me t\u00eb gjith\u00eb p\u00ebr \u00e7do gj\u00eb dhe p\u00ebr gjith\u00e7ka, por nuk ka konflikt midis m\u00eb t\u00eb pasurve dhe t\u00eb varf\u00ebrve. Ky narracion kontrollohet fuqish\u00ebm.<\/p>\n

Kjo \u00ebsht\u00eb epoka e psikopat\u00ebve, atyre q\u00eb g\u00ebnjejn\u00eb, vjedhin, manipulojn\u00eb, mashtrojn\u00eb, \u201cu b\u00ebjn\u00eb d\u00ebm\u201d t\u00eb tjer\u00ebve gjith\u00eb dit\u00ebn dhe flen\u00eb t\u00eb qet\u00eb nat\u00ebn. Ata ngjiten m\u00eb leht\u00eb n\u00eb hierarkit\u00eb e koorporatave dhe ato politike. Ne t\u00eb tjer\u00ebt duhet t\u00eb rezistojm\u00eb, sepse n\u00ebse i l\u00ebm\u00eb t\u00eb na detyrojn\u00eb t\u00eb luajm\u00eb loj\u00ebn e tyre – nuk do t\u00eb jemi t\u00eb lumtur dhe as nuk do t\u00eb flem\u00eb t\u00eb qet\u00eb, sepse nuk jemi t\u00eb gatuar nga e nj\u00ebjta gj\u00eb. Fatkeq\u00ebsisht, nj\u00eb pjes\u00eb e mir\u00eb e shumic\u00ebs s\u00eb ndershme p\u00ebr arsye ekzistenciale detyrohet t\u00eb b\u00ebj\u00eb loj\u00ebn e tyre dhe nga k\u00ebtu vjen gjith\u00eb kjo fatkeq\u00ebsi rreth nesh.<\/p>\n

\"\"<\/strong>Edhe n\u00eb arritjet e m\u00ebparshme (filmat e metrazhit t\u00eb shkurt\u00ebr) si “Cut Here” dhe “Q\u00ebndro i drejt\u00eb” u fokusuat n\u00eb konfliktin e personaliteteve dhe zhg\u00ebnjimin shoq\u00ebror. \u00c7far\u00eb ju motivon m\u00eb shum\u00eb n\u00eb k\u00ebto rr\u00ebfime?<\/strong><\/p>\n

Po, ajo \u00ebsht\u00eb nj\u00eb tem\u00eb q\u00eb p\u00ebrshkon skenar\u00ebt q\u00eb shkruaj, dhe gjithashtu jet\u00ebn time private – si t\u00eb mbetesh i sinqert\u00eb dhe besnik ndaj parimeve dhe vlerave t\u00eb tua, si t\u00eb mbetesh nj\u00eb person i mir\u00eb n\u00eb nj\u00eb shoq\u00ebri ku ato parime dhe vlera krijojn\u00eb vet\u00ebm probleme p\u00ebr ju. N\u00eb nj\u00eb shoq\u00ebri t\u00eb till\u00eb, ajo tem\u00eb \u00ebsht\u00eb pothuajse nj\u00eb \u201cmotor\u201d dramaturgjik i p\u00ebrsosur, sepse prodhon konflikt dhe dram\u00eb pothuajse n\u00eb \u00e7do situat\u00eb. Sepse e gjith\u00eb shoq\u00ebria \u00ebsht\u00eb antagonisti q\u00eb q\u00ebndron n\u00eb rrug\u00ebn e protagonistit.<\/p>\n

N\u00eb fund t\u00eb viteve t\u00eb 80-ta, ishit nj\u00eb nga student\u00ebt m\u00eb t\u00eb rinj t\u00eb regjis\u00eb s\u00eb filmit dhe televizionit n\u00eb FDU n\u00eb Shkup dhe konsideroheshit si nj\u00eb shpres\u00eb e madhe e filmit maqedonas. Por pse u desh\u00ebn 30 vjet p\u00ebr debutimin tuaj n\u00eb filmin artistik?<\/strong><\/p>\n

N\u00eb nj\u00eb far\u00eb m\u00ebnyre sapo iu p\u00ebrgjigja k\u00ebsaj pyetjeje. \u00cbsht\u00eb t\u00ebr\u00ebsisht faji im q\u00eb kam zgjedhur t\u00eb jetoj n\u00eb realitetin tim, ashtu si personazhet e filmit. N\u00eb Maqedoni nuk ke shanse n\u00ebse dikush nuk t\u00eb shtyn p\u00ebrpara, n\u00ebse “nuk ke ndonj\u00eb lidhje”, n\u00ebse nuk merr nj\u00eb telefonat\u00eb nga partia, n\u00ebse nuk jep ryshfet, n\u00ebse nuk shpenzoni m\u00eb shum\u00eb energji duke lobuar p\u00ebr filmin tuaj sesa n\u00eb prodhimin aktual t\u00eb filmit. Un\u00eb disi nuk jam i prirur p\u00ebr at\u00eb pun\u00eb, jam rritur \u201cgabimisht\u201d, nuk m\u00eb p\u00eblqen, prandaj prita. Si kuriozitet, n\u00eb dy vende ku aplikuam p\u00ebr mb\u00ebshtetje financiare p\u00ebr bashk\u00ebprodhimin e pakicave, punonj\u00ebsit e fondeve t\u00eb tyre filmike na k\u00ebrkuan ryshfet. Ne i refuzuam dy her\u00eb, edhe pse ato para do ta kishin b\u00ebr\u00eb shum\u00eb m\u00eb t\u00eb leht\u00eb realizimin e filmit, ndoshta edhe ndonj\u00eb pjes\u00eb e tyre do t\u00eb kishte mbetur p\u00ebr pun\u00ebn \u00a0time. Por vendos\u00ebm t\u00eb mos e thyenim \u201ckarm\u00ebn\u201d e filmit. Shum\u00eb maqedonas, kur ta lexojn\u00eb k\u00ebt\u00eb, ndoshta do t\u00eb mendojn\u00eb se jam nj\u00eb person shum\u00eb budalla.<\/p>\n

N\u00eb filmografin\u00eb tuaj keni m\u00eb shum\u00eb tituj si producent sesa si regjisor. Ju keni qen\u00eb edhe pjes\u00eb e grupeve t\u00eb produksionit t\u00eb filmave \u201cKoha e komet\u00ebs\u201d, \u201cMirush\u201d… A duhej t\u00eb ishte filmuar shum\u00eb m\u00eb her\u00ebt, t\u00eb pakt\u00ebn n\u00eb fillim t\u00eb k\u00ebtij shekulli filmi “BOR\u00cbBARDHA VDES N\u00cb FUND “? <\/strong><\/p>\n

Jo, ideja e filmit “Bor\u00ebbardha vdes n\u00eb fund” nuk ekzistonte at\u00ebher\u00eb. E xhiruam pik\u00ebrisht kur ishte menduar, por n\u00eb fillim t\u00eb shekullit un\u00eb kisha disa ide t\u00eb tjera dhe ndoshta duhet t\u00eb xhiroja nj\u00eb film tjet\u00ebr at\u00ebher\u00eb. Tani nuk ka kuptim t’i kthehemi t\u00eb shkuar\u00ebs dhe t\u00eb pendohemi p\u00ebr “f\u00ebmij\u00ebt” e pa lindur. Ajo q\u00eb soll\u00ebm n\u00eb bot\u00eb \u00ebsht\u00eb e sh\u00ebndetshme, e drejt\u00eb, e bukur. P\u00ebr k\u00ebt\u00eb jemi t\u00eb lumtur. Dhe p\u00ebr at\u00eb q\u00eb vjen.<\/p>\n

P\u00ebr sa i p\u00ebrket pun\u00ebs si producent dhe madje edhe si regjisor, nd\u00ebrkoh\u00eb e gjeta vendin tim n\u00eb bot\u00ebn komerciale, ku zhvat\u00ebsit e shtetit ton\u00eb tejet t\u00eb korruptuar dhe t\u00eb falimentuar moralisht, arrijn\u00eb m\u00eb pak. Dy filmat q\u00eb p\u00ebrmend\u00ebt ishin produksione sh\u00ebrbimi, filma t\u00eb huaj q\u00eb jan\u00eb xhiruar n\u00eb Maqedoni pa pjes\u00ebmarrje financiare t\u00eb shtetit ton\u00eb. Paradoksalisht, n\u00eb Maqedoni \u00ebsht\u00eb m\u00eb e leht\u00eb t\u00eb funksionosh n\u00eb bot\u00ebn e biznesit (kapitalist\u00ebve) pa humbur integritetin moral, sesa n\u00eb bot\u00ebn e kultur\u00ebs s\u00eb financuar nga shteti.<\/p>\n

\"\"<\/strong>Filmi \u00ebsht\u00eb xhiruar nga dy kineast\u00ebt Sevdije Kastrati dhe Dimo \u200b\u200bPopov. Kastrati ka incizuar ekskluzivisht skenat e nat\u00ebs, Popov ato t\u00eb dit\u00ebs. Pse kjo metod\u00eb pune, si \u00ebsht\u00eb t\u00eb punosh me dy kineast? Edhe pse kjo praktik\u00eb i ka ndodhur edhe Milos Formanit n\u00eb “One Flew Over the Cuckoo’s Nest” (duhej t\u00eb ndryshonte tre kineast) apo Sidney Pollack n\u00eb “Afrika ime”, i cili kishte kat\u00ebr montazhe…<\/strong>\"\"<\/strong><\/p>\n

Nuk ishte e q\u00ebllimshme. T\u00eb ndryshosh nj\u00eb bashk\u00ebpun\u00ebtor kaq ky\u00e7 n\u00eb mes t\u00eb prodhimit \u00ebsht\u00eb nj\u00eb stres dhe komplikim i madh dhe askush nuk e d\u00ebshiron k\u00ebt\u00eb. Kushtet financiare krijuan nj\u00eb situat\u00eb ku ne u detyruam t\u00eb xhirojm\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb till\u00eb. Kur xhirohet me kaq pak para, t\u00eb gjith\u00eb personat ky\u00e7 t\u00eb projektit duhet t\u00eb plot\u00ebsojn\u00eb shum\u00eb m\u00eb tep\u00ebr parametra, p\u00ebr t\u00eb mos \u201cthyer\u201d buxhetin. Ndryshe nga shkrimtar\u00ebt apo piktor\u00ebt, t\u00eb cil\u00ebt p\u00ebr nga natyra e profesionit t\u00eb tyre kan\u00eb detyrimin t’i japin vetes aq koh\u00eb sa \u00ebsht\u00eb e nevojshme (brenda arsyes) p\u00ebr ta sjell\u00eb vepr\u00ebn n\u00eb nj\u00eb nivel me t\u00eb cilin jan\u00eb absolutisht t\u00eb k\u00ebnaqur, autor\u00ebt e filmit n\u00eb faz\u00ebn e prodhimit nuk e kan\u00eb at\u00eb komoditet. Ne duhet ta xhirojm\u00eb filmin n\u00eb nj\u00eb num\u00ebr t\u00eb caktuar dit\u00ebsh dhe or\u00ebsh pune, n\u00eb rastin ton\u00eb rreth 300 or\u00eb dhe kaq. Ju p\u00eblqen apo jo, ju duhet t\u00eb p\u00ebrshtateni n\u00eb ato rrethana.<\/p>\n

\"\"<\/strong>Kritikat e filmit p\u00ebrgjith\u00ebsisht duken t\u00eb favorshme p\u00ebr filmin tuaj, duke theksuar historin\u00eb dhe atmosfer\u00ebn urbane n\u00eb p\u00ebrgjith\u00ebsi, duke v\u00ebn\u00eb n\u00eb dukje referenca si “Clerks” t\u00eb Kevin Smith (miqt\u00eb e lagjes), “Trainspotting” e Danny Boyle (“kultura” e heroin\u00ebs), ndoshta edhe “Rekuiem p\u00ebr nj\u00eb \u00ebnd\u00ebrr” e Darren Aronofsky (telenovelat televizive) \u2026 Kush, p\u00ebrve\u00e7 k\u00ebtyre, jan\u00eb autor\u00ebt tuaj t\u00eb preferuar?<\/strong><\/p>\n

Po, ne kemi qen\u00eb me fat me kritikat si brenda dhe jasht\u00eb vendit.<\/p>\n

Nuk jam i sigurt se kam cituar “Clerks” dhe “Trainspotting”. Citat \u00ebsht\u00eb kur autori ka nj\u00eb q\u00ebllim t\u00eb shprehur qart\u00eb nderimet p\u00ebr nj\u00eb autor tjet\u00ebr duke iu referuar nj\u00eb pjese t\u00eb vepr\u00ebs s\u00eb tij, nj\u00ebkoh\u00ebsisht duke e rikontekstualizuar at\u00eb. Mendoj se k\u00ebto “citate” u p\u00ebrmend\u00ebn n\u00eb kontekstin e personazheve dhe vendndodhjes (miqt\u00eb p\u00ebrtac\u00eb dhe videoteka) dhe rekuizitat (filxhani), por ky \u00ebsht\u00eb interpretim n\u00eb shikim t\u00eb par\u00eb. Ulja “p\u00ebrpara pem\u00ebs s\u00eb Krishtlindjes” me miqt\u00eb ekzistonte n\u00eb rajonin ton\u00eb shum\u00eb koh\u00eb p\u00ebrpara se t\u00eb lindte Kevin Smith. Videoteka n\u00eb filmin ton\u00eb \u00ebsht\u00eb e pakuptimt\u00eb, sepse asnj\u00eb klient nuk hyn n\u00eb t\u00eb. N\u00eb koh\u00ebn e “Clerks”, videoteka ishte nj\u00eb vend pune legjitime. Ka nj\u00eb referenc\u00eb p\u00ebr “Trainspotting” n\u00eb film, por diku tjet\u00ebr posteri i “Trainspotting” varet n\u00eb mur n\u00eb videotek\u00eb.<\/p>\n

Autor\u00ebt e mi t\u00eb preferuar jan\u00eb Vittorio De Sica (n\u00eb kulmin e tij, pas Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore deri n\u00eb fillim t\u00eb viteve 50), Wim Wenders, Akira Kurosawa, Yasujiro Ozu, Alfred Hitchcock, Tarantino i hersh\u00ebm… Ka kaq shum\u00eb, i dua shum\u00eb filmat, mund t\u00eb listoj deri nes\u00ebr.<\/p>\n

N\u00eb konferenc\u00ebn p\u00ebr shtyp n\u00eb Manastir para shfaqjes s\u00eb filmit ju deklaruat se besoni n\u00eb q\u00ebndrimin e regjisorit Paul Thomas Anderson, i cili thot\u00eb se skenaristi nuk duhet t\u00eb merret me tem\u00ebn n\u00eb fillim, duhet ta shkruaj\u00eb ngjarjen dhe tema do t\u00eb shfaqet vet\u00eb gjat\u00eb procesit. Ju e p\u00ebrkufizuat SNOW IN THE FEND DIES si nj\u00eb film p\u00ebr mir\u00ebsin\u00eb, por sa \u00ebsht\u00eb naive t\u00eb besosh n\u00eb t\u00eb?<\/strong><\/p>\n

Un\u00eb bindsh\u00ebm besoj se nuk \u00ebsht\u00eb naive. Madje mendoj se \u00ebsht\u00eb e nevojshme q\u00eb t\u00eb gjith\u00eb ne t\u00eb pyesim veten dhe t’i k\u00ebrkojm\u00eb mir\u00ebsit\u00eb brenda vet\u00ebs. Jetojm\u00eb n\u00eb nj\u00eb koh\u00eb kur jemi n\u00eb prag t\u00eb nj\u00eb katastrofe b\u00ebrthamore dhe gjysma e planetit po brohorit p\u00ebr p\u00ebrshkall\u00ebzimin e konflikteve. Nj\u00eb p\u00ebrshkall\u00ebzim q\u00eb nj\u00eb dit\u00eb mund t’i p\u00ebrfshij\u00eb edhe po ata njer\u00ebz q\u00eb brohorasin p\u00ebr t\u00eb. Nuk ka logjik\u00eb. Nuk ka mbetur asnj\u00eb grimc\u00eb arsye e sh\u00ebndosh\u00eb. Si thoshte Andriq? Kan\u00eb ardhur momente q\u00eb t\u00eb men\u00e7urit e kan\u00eb mbyllur goj\u00ebn, budallai ka folur dhe fukaraja \u00ebsht\u00eb pasuruar? E, po, kan\u00eb ardhur koh\u00ebt edhe m\u00eb t\u00eb k\u00ebqija. Sot, nj\u00eb budalla merr nj\u00eb milion p\u00eblqime, kurse nj\u00eb i varf\u00ebr \u00ebsht\u00eb m\u00eb i pasur se nj\u00ebqind milion\u00eb njer\u00ebz t\u00eb zgjuar.<\/p>\n

Dhe muzika n\u00eb film (Vlatko Stefanovski, Kir\u00e7o Arsovski dhe Vasko Atanasoski…), natyrisht, e bart at\u00eb frym\u00eb urbane. Lista e preferuar? <\/strong><\/p>\n

P\u00ebrderisa po shkruaja skenarin, b\u00ebra nj\u00eb list\u00eb me nj\u00ebzet k\u00ebng\u00eb maqedonase p\u00ebr t\u00eb cilat doja t\u00eb gjeja nj\u00eb vend n\u00eb film. Skedarin e kam quajtur \u201cshpalta\u201d, fjala jon\u00eb p\u00ebr playlist, megjith\u00ebse nuk \u00ebsht\u00eb as e jona, por \u00ebsht\u00eb m\u00eb e vjet\u00ebr. Gjasht\u00eb nga ato k\u00ebng\u00eb filmi i \u201cpranoi\u201d, gjet\u00ebn vendin e tyre dhe e pasuruan at\u00eb frym\u00eb urbane.<\/p>\n

Mua m\u00eb p\u00eblqen shum\u00eb edhe muzika, por nuk d\u00ebgjoj si dikur sepse kam penges\u00eb n\u00eb vesh\u00ebt, ndaj shmang p\u00ebrdorimin e kufjeve, ulem m\u00eb rrall\u00eb n\u00eb makin\u00eb, mundohem t\u00eb eci kudo q\u00eb t\u00eb mundem, k\u00ebshtu q\u00eb i kam reduktuar opsionet e mia p\u00ebr t\u00eb d\u00ebgjuar muzik\u00eb solo, pa ndikuar shija ime muzikore te njer\u00ebzit rreth meje, t\u00eb cil\u00ebt ndoshta kan\u00eb nj\u00eb shije t\u00eb ndryshme.<\/p>\n

N\u00eb kontekstin e filmit, muzik\u00eb q\u00eb \u00ebsht\u00eb af\u00ebr frym\u00ebs s\u00eb filmit dhe pjes\u00eb e s\u00eb cil\u00ebs kemi p\u00ebrdorur si muzik\u00eb tempo (t\u00eb p\u00ebrkohshme) jan\u00eb disa k\u00ebng\u00eb t\u00eb Daft Punk, Radiohead, Air, Mogwai, MGMT, Moby, Stranglers, French 79, Beach House, The Residents\u2026<\/p>\n

\"\"Rreth p\u00ebrzgjedhjes s\u00eb aktor\u00ebve n\u00eb film. A ishte ajo zgjedhja juaj e par\u00eb dhe sa jeni t\u00eb k\u00ebnaqur me bashk\u00ebpunimin?<\/strong><\/p>\n

Absolutisht. Aktor\u00ebt q\u00eb luajn\u00eb shtat\u00eb rolet kryesore ishin absolutisht zgjedhja e par\u00eb dhe i mor\u00ebn rolet e tyre sipas t\u00eb gjitha rregulloreve. Nj\u00eb digresion \u2013 M\u00eb duhet t\u00eb them se p\u00ebrzgjedhja \u00ebsht\u00eb nj\u00eb proces shum\u00eb i padrejt\u00eb p\u00ebr aktor\u00ebt. Shum\u00eb shpesh, aktor\u00ebt q\u00eb ishin t\u00eb mrekulluesh\u00ebm n\u00eb kast nuk marrin ndonj\u00eb rol p\u00ebr shkak t\u00eb elementit t\u00eb pamjes s\u00eb tyre fizike q\u00eb nuk p\u00ebrshtatet mir\u00eb me vizionin e regjisorit p\u00ebr personazhin, ose p\u00ebr shkak se nj\u00eb aktor ose aktore tjet\u00ebr ka kimi m\u00eb t\u00eb mir\u00eb me partnerin e tyre. \u2026 E them k\u00ebt\u00eb sepse ishin t\u00eb pakt\u00ebn pes\u00eb aktor\u00eb t\u00eb tjer\u00eb q\u00eb erdh\u00ebn n\u00eb kast, t\u00eb cil\u00ebt ishin fantastik\u00eb, por p\u00ebr shkak t\u00eb nj\u00ebrit prej k\u00ebtyre parametrave q\u00eb nuk kan\u00eb t\u00eb b\u00ebjn\u00eb me cil\u00ebsin\u00eb e shfaqjes, ata nuk i mor\u00ebn rolet.<\/p>\n

Gjithashtu jam absolutisht i k\u00ebnaqur me bashk\u00ebpunimin, shum\u00eb i k\u00ebnaqur. Kur u p\u00ebrkul\u00ebm pas premier\u00ebs q\u00eb u mbajt n\u00eb Shkup e thash\u00eb at\u00eb q\u00eb mendoja p\u00ebr bashk\u00ebpunimin me k\u00ebta njer\u00ebz t\u00eb mrekulluesh\u00ebm – se ishte privilegj t\u00eb punoja me ta, se nuk e di se si i kam merituar dhe se nuk besoj se do t\u00eb kemi s\u00ebrish nj\u00eb kast t\u00eb till\u00eb me t\u00eb cilin k\u00ebshtu do t\u00eb \u201ckuptohemi\u201d si nga pik\u00ebpamja profesionale ashtu edhe nga ajo njer\u00ebzore. Kam disi p\u00ebrshtypjen se u b\u00ebm\u00eb si nj\u00eb mini “sekt”, se filmi na lidhi n\u00eb nj\u00eb far\u00eb m\u00ebnyre m\u00eb fuqish\u00ebm, si ushtar\u00eb q\u00eb kan\u00eb kaluar nj\u00eb betej\u00eb t\u00eb ndyr\u00eb s\u00eb bashku, sikur jemi b\u00ebr\u00eb miq p\u00ebr gjith\u00eb jet\u00ebn.<\/p>\n

 <\/p>\n

Detajet e filmit: <\/strong><\/p>\n

Jet\u00ebt e nj\u00eb artisti hikikomori, nj\u00eb prezantuesi radiofonik me sindrom\u00ebn Asperger, nj\u00eb pronari videoteke, nj\u00eb filozof i para shitores, nj\u00eb drejtor kreativ dhe nj\u00eb gjinekologu anti-natalist nd\u00ebrthuren p\u00ebrmes tre historive t\u00eb \u00e7uditshme dashurie, miq\u00ebsie dhe p\u00ebrkushtimi.<\/p>\n

 <\/p>\n

BOR\u00cbDHA VDES N\u00cb FUND \u00ebsht\u00eb nj\u00eb dram\u00eb sociale e mb\u00ebshtjellur n\u00eb nj\u00eb komedi absurde, q\u00eb trajton se sa tmerr\u00ebsisht e v\u00ebshtir\u00eb \u00ebsht\u00eb t\u00eb q\u00ebndrosh i sinqert\u00eb dhe besnik ndaj vlerave tua n\u00eb nj\u00eb mjedis moralisht t\u00eb korruptuar. Filmi p\u00ebrb\u00ebhet nga 3 histori t\u00eb nd\u00ebrthurura p\u00ebr 3 grupe njer\u00ebzish, nj\u00eb miz\u00eb, nj\u00eb derr, nj\u00eb tualet dhe nj\u00eb qytet, rrug\u00ebt e t\u00eb cilit prekin dhe ndikojn\u00eb nj\u00ebri-tjetrin.<\/p>\n

 <\/p>\n

N\u00eb rolet kryesore n\u00eb film luajn\u00eb Verica Nedeska, Natasha Petroviq, Sashko Kocev, Deniz Abdullah, Ivica Dimitrijeviq, David Janakiev dhe Tino Kostadinovski.<\/p>\n

 <\/p>\n

Skenari dhe regjia e filmit \u00ebsht\u00eb e Kristian Risteskit, producent Darko Popov, kineast jan\u00eb Dimo \u200b\u200bPopov dhe Sevdije Kastrati, montazhi \u00ebsht\u00eb nga Goran Vuqiq, kompozitor\u00eb jan\u00eb Aleksandar Pejovski dhe Stavros Makris, skenograf \u00ebsht\u00eb Sasho Blazhevski. kostumografe \u00ebsht\u00eb Emilia Ivanovska Atanasovska, tingulli \u00ebsht\u00eb nga Greg Malkandzi, grimere: Mojca Gorogranc Petrushevska, drejtor i kastingut \u00ebsht\u00eb Moni Damevski.<\/p>\n

 <\/p>\n

Regjisori Risteski e p\u00ebrkufizon filmin si m\u00eb posht\u00eb: \u201cFilmi yn\u00eb \u00ebsht\u00eb nj\u00eb histori p\u00ebr mir\u00ebsin\u00eb njer\u00ebzore, mir\u00ebsjelljen, integritetin, shpres\u00ebn dhe g\u00ebzimin e jet\u00ebs\u201d.<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

Pjes\u00eb nga komentet e publikuara nga mediat amerikane pas premier\u00ebs bot\u00ebrore:<\/strong><\/p>\n

 <\/p>\n

“Nj\u00eb mozaik i bukur q\u00eb m\u00eb kujtoi “Magnolia” t\u00eb Paul Thomas Anderson, i shkruar me nj\u00eb dor\u00eb edhe m\u00eb komike edhe m\u00eb t\u00eb ndrydhur” – SLUG MAG<\/p>\n

 <\/p>\n

“Ishte v\u00ebrtet nj\u00eb p\u00ebrvoj\u00eb frym\u00ebzuese t\u00eb shikoje se si filmi arrin t\u00eb shtrydh\u00eb kaq shum\u00eb shpres\u00eb dhe dashuri nga ngjarja” – ANTICRITIC<\/p>\n

 <\/p>\n

“Risteski di t\u00eb nuhas\u00eb t\u00eb jasht\u00ebzakonshmen verbuese n\u00eb t\u00eb p\u00ebrditshmen banale si nj\u00eb derr q\u00eb k\u00ebrkon k\u00ebpurdha” \u2013 FIL THREAT<\/p>\n

 <\/p>\n

“Kjo histori me siguri nuk do t’ju kujtoj\u00eb asgj\u00eb q\u00eb keni par\u00eb m\u00eb par\u00eb, gj\u00eb q\u00eb \u00ebsht\u00eb nj\u00eb rekomandim n\u00eb vetvete” – MOVIE BOOZER<\/p>\n

 <\/p>\n

“Nj\u00eb film i krijuar bukur q\u00eb zot\u00ebron nj\u00eb ndjenj\u00eb unike t\u00eb realitetit” – UNSEEN FILMS<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00eb gjith\u00eb jan\u00eb n\u00eb konflikt me t\u00eb gjith\u00eb p\u00ebr \u00e7do gj\u00eb dhe p\u00ebr gjith\u00e7ka, por nuk ka konflikt midis t\u00eb pasurve dhe t\u00eb varf\u00ebrve Shoq\u00ebrit\u00eb funksionojn\u00eb vet\u00ebm kur ka rregulla loje t\u00eb miratuara nga shumica. Sot k\u00ebtu, gjithandej, loja me rregullat e s\u00eb cil\u00ebs nuk kemi r\u00ebn\u00eb dakord \u00ebsht\u00eb – ne paguajm\u00eb taksa, ata i […]<\/p>\n","protected":false},"author":7,"featured_media":14040,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[79,96],"tags":[],"class_list":["post-14358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritika-alb","category-news-alb"],"acf":[],"yoast_head":"\nINTERVIST\u00cb ME KRISTIAN RISTESKI, REGJISOR FILMI: "\u00cbSHT\u00cb VET\u00cbM FAJI IM Q\u00cb ZGJODHA T\u00cb JETOJ N\u00cb DISA NGA REALITETET MIA, SIKURSE PERSONAZHET N\u00cb FILM" - \u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.kinoteka.borkko.com\/sq\/interviste-me-kristian-risteski-regjisor-filmi-eshte-vetem-faji-im-qe-zgjodha-te-jetoj-ne-disa-nga-realitetet-mia-sikurse-personazhet-ne-film\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"INTERVIST\u00cb ME KRISTIAN RISTESKI, REGJISOR FILMI: "\u00cbSHT\u00cb VET\u00cbM FAJI IM Q\u00cb ZGJODHA T\u00cb JETOJ N\u00cb DISA NGA REALITETET MIA, SIKURSE PERSONAZHET N\u00cb FILM" - \u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430\" \/>\n<meta property=\"og:description\" content=\"T\u00eb gjith\u00eb jan\u00eb n\u00eb konflikt me t\u00eb gjith\u00eb p\u00ebr \u00e7do gj\u00eb dhe p\u00ebr gjith\u00e7ka, por nuk ka konflikt midis t\u00eb pasurve dhe t\u00eb varf\u00ebrve Shoq\u00ebrit\u00eb funksionojn\u00eb vet\u00ebm kur ka rregulla loje t\u00eb miratuara nga shumica. Sot k\u00ebtu, gjithandej, loja me rregullat e s\u00eb cil\u00ebs nuk kemi r\u00ebn\u00eb dakord \u00ebsht\u00eb – ne paguajm\u00eb taksa, ata i […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.kinoteka.borkko.com\/sq\/interviste-me-kristian-risteski-regjisor-filmi-eshte-vetem-faji-im-qe-zgjodha-te-jetoj-ne-disa-nga-realitetet-mia-sikurse-personazhet-ne-film\/\" \/>\n<meta property=\"og:site_name\" content=\"\u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KinotekaNaSevernaMakedonija\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-18T13:14:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/staging.kinoteka.borkko.com\/wp-content\/uploads\/2022\/10\/365165-snezhana-na-krajot-umira.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"780\" \/>\n\t<meta property=\"og:image:height\" 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