{"id":6895,"date":"2020-04-22T11:03:21","date_gmt":"2020-04-22T09:03:21","guid":{"rendered":"http:\/\/kinoteka.mk\/%d0%ba%d0%be%d1%81%d0%be%d0%b2%d1%81%d0%ba%d0%b0%d1%82%d0%b0-%d0%ba%d0%b8%d0%bd%d0%b5%d0%bc%d0%b0%d1%82%d0%be%d0%b3%d1%80%d0%b0%d1%84%d0%b8%d1%98%d0%b0-%d0%bf%d0%be%d0%bc%d0%b5%d1%93%d1%83-%d0%b0\/"},"modified":"2020-04-27T09:00:16","modified_gmt":"2020-04-27T07:00:16","slug":"%d0%ba%d0%be%d1%81%d0%be%d0%b2%d1%81%d0%ba%d0%b0%d1%82%d0%b0-%d0%ba%d0%b8%d0%bd%d0%b5%d0%bc%d0%b0%d1%82%d0%be%d0%b3%d1%80%d0%b0%d1%84%d0%b8%d1%98%d0%b0-%d0%bf%d0%be%d0%bc%d0%b5%d1%93%d1%83-%d0%b0","status":"publish","type":"post","link":"https:\/\/staging.kinoteka.borkko.com\/sq\/%d0%ba%d0%be%d1%81%d0%be%d0%b2%d1%81%d0%ba%d0%b0%d1%82%d0%b0-%d0%ba%d0%b8%d0%bd%d0%b5%d0%bc%d0%b0%d1%82%d0%be%d0%b3%d1%80%d0%b0%d1%84%d0%b8%d1%98%d0%b0-%d0%bf%d0%be%d0%bc%d0%b5%d1%93%d1%83-%d0%b0\/","title":{"rendered":"Kinematografia n\u00eb Kosov\u00eb n\u00eb mes t\u00eb ambicieve e (pa) mund\u00ebsis\u00eb financiare\u00a0"},"content":{"rendered":"

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Gani Mehmetaj<\/strong><\/p>\n

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Kinematografia n\u00eb Kosov\u00eb n\u00eb mes t\u00eb ambicieve e (pa) mund\u00ebsis\u00eb financiare\u00a0 <\/strong><\/p>\n

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Kinematografia e Kosov\u00ebs n\u00eb dhjet\u00ebvjet\u00ebshin e fundit ve\u00e7ohet me hapjene dukshme ndaj\u00a0 bashk\u00ebprodhimeve e bashk\u00ebpunimeve nd\u00ebrkomb\u00ebtare, me pjes\u00ebmarrjen n\u00eb festivale nd\u00ebrkomb\u00ebtare, me p\u00ebrpjekjet p\u00ebr t\u00eb komunikuar me shikuesit e huaj. Ka m\u00eb shum\u00eb se asnj\u00ebher\u00eb m\u00eb par\u00eb kineast\u00eb t\u00eb rinj, disa prej t\u00eb cil\u00ebve jan\u00eb premtues, me ambicie e kultur\u00eb filmi.Projektet kinematografike realizohen me buxhet t\u00eb vog\u00ebl, m\u00eb t\u00eb voglin n\u00eb rajon, prandaj dramat urbane q\u00eb jan\u00eb n\u00eb mes t\u00eb filmit artistik e dram\u00ebs televizive nuk jan\u00eb t\u00eb pakta, meq\u00eb nuk k\u00ebrkojn\u00eb shpenzime t\u00eb m\u00ebdha, b\u00ebhen me ekipe t\u00eb vogla xhiruese e m\u00eb pak aktor\u00eb. Llojet e filmave \u00a0(zhanret) jan\u00eb nga m\u00eb t\u00eb ndryshmet:drama, komedi, filma psikologjik, filma aksioni etj. Filmat m\u00eb t\u00eb kushtuesh\u00ebm kryesisht jan\u00eb realizuar nga regjisor\u00ebt e vjet\u00ebr m\u00eb nj\u00eb p\u00ebrvoj\u00eb m\u00eb t\u00eb gjat\u00eb n\u00eb film. Mjetet q\u00eb jepen p\u00ebr kinematografi jan\u00eb m\u00eb t\u00eb paktat n\u00ebGadishull.T\u00eb gjith\u00eb konkurrentetn\u00eb konkursin publik marrin nga pak, nd\u00ebrsa asnj\u00ebri nuk \u00ebsht\u00eb i k\u00ebnaqur, sepse asnj\u00ebri nga producent\u00ebt po nuk gjeti mb\u00ebshtetje tjet\u00ebrnuk mund t\u00eb p\u00ebrthekoj as gjysm\u00ebn e shpenzimeve p\u00ebr projektin.<\/p>\n

Kinematografia e Kosov\u00ebs \u00ebsht\u00eb kinematografi e vog\u00ebl. Asnj\u00ebher\u00eb nuk \u00ebsht\u00eb shquar p\u00ebr ndonj\u00eb prodhimtari t\u00eb madhe, nd\u00ebrsa ka b\u00ebr\u00eb p\u00ebrpjekje t\u00eb ngulm\u00ebta t\u00eb dal nga izolimi rajonal dhe t\u00eb komunikoj me bot\u00ebn. Disa nga k\u00ebta filma kan\u00eb marr pjes\u00eb n\u00eb qindra festivale nd\u00ebrkomb\u00ebtare, jan\u00eb kthyer me \u00e7mime, megjith\u00ebse deri para ndonj\u00eb viti nuk pati stimulim apo buxhet t\u00eb ve\u00e7ant\u00eb p\u00ebr pjes\u00ebmarrjen e filmave n\u00eb festivale nd\u00ebrkomb\u00ebtare, k\u00ebshtu q\u00eb kryesisht ishin producent\u00ebt e regjisor\u00ebt, apo ndonj\u00eb mb\u00ebshtetje nd\u00ebrkomb\u00ebtare\u00a0 q\u00eb i mbulonin shpenzimet.<\/p>\n

Filmi dokumentar dhe ai i animuara sikur jan\u00eb l\u00ebn\u00eb anash, jan\u00eb m\u00eb t\u00eb pak\u00ebt se sa filmi artistik i gjat\u00eb dhe ai i shkurt\u00ebr. \u00cbsht\u00eb e habitshme se si edhe brezi i ri ngurrojn\u00eb t\u00eb kultivojn\u00eb filmin dokumentar e t\u00eb animuar.<\/p>\n

Filmat kryek\u00ebput i financon shteti- Ministria e Kultur\u00ebs p\u00ebrmes Qendr\u00ebs Kinematografike me konkurse publike, nd\u00ebrsa televizionet nuk marrin pjes\u00eb as n\u00eb m\u00ebnyr\u00eb simbolike n\u00eb financime, edhe pse kan\u00eb aq pak programe origjinale artistike.<\/p>\n

Problem t\u00eb ve\u00e7ant\u00eb p\u00ebr shfaqjen e filmave t\u00eb shikuesit vend\u00ebs paraqet mungesa e kinemave, sallat e vjetra mbi gjasht\u00ebdhjet\u00ebvje\u00e7are. Gjat\u00eb faz\u00ebs s\u00eb privatizimit nj\u00eb pjes\u00eb e k\u00ebtyre kinemave e kan\u00eb ndryshuar veprimtarin\u00eb kryesore, t\u00eb tjerat jan\u00eb nj\u00eb p\u00ebrzierje e pron\u00ebs publike, pa mir\u00ebmbajtje t\u00eb duhur dhe pa leje q\u00eb t\u00eb punojn\u00eb n\u00eb parimin e ligjeve t\u00eb tregut. Agjencia e privatizimi u rri mbi kok\u00eb, as nuk i privatizon, as nuk i lejon t\u00eb punojn\u00eb t\u00eb pavarura. Nga 33 kinemat\u00eb e dikurshme, q\u00eb shfaqnin rregullisht filma, dhe 20 kinemave sh\u00ebtit\u00ebse, kan\u00eb mbetur kat\u00ebr- pes\u00eb kinema funksionale, nd\u00ebrsa t\u00eb tjerat shfaqin filma nga rasti n\u00eb rast. Filmat artistik t\u00eb vendit a bashk\u00ebprodhimetme shtetet e rajonit apo t\u00eb Evrop\u00ebs Per\u00ebndimore nuk e kan\u00eb shikueshm\u00ebrin\u00eb e dikurshme, sepse pjesa m\u00eb e madhe e tyre gjat\u00eb faz\u00ebs s\u00eb privatizimit e kan\u00eb ndryshuar destinimin, ose nuk shfaqin filma fare.<\/p>\n

Sistemi i kinemave multiplekse q\u00eb ka filluar ta mbulojn\u00eb territorin e Kosov\u00ebs \u00ebsht\u00eb i natyr\u00ebs s\u00eb ve\u00e7ant\u00eb. Jo t\u00eb gjith\u00eb filmat artistik t\u00eb vendit shfaqen n\u00eb te dhe jo t\u00eb gjith\u00eb jan\u00eb p\u00ebr k\u00ebt\u00eb rrjet t\u00eb kinemave. Sipas parimeve t\u00eb ligjeve t\u00eb tregut, asnj\u00eb film t\u00eb ne nuk i mbulon shpenzimet me shfaqje n\u00eb kinema. Ky problem \u00ebsht\u00eb problem i kinematografiven\u00eb t\u00ebr\u00eb Gadishullit Ballkanik, mir\u00ebpo t\u00eb ne \u00ebsht\u00eb m\u00eb i shprehur se kudo tjet\u00ebr. Televizionet qendrore e shfaqin me shum\u00eb ngurrim filmin e vendit, ose paguajn\u00eb aq paksa nuk e vlen t\u00eb jepet leja p\u00ebr shfaqje, meq\u00eb mund ta d\u00ebmtoj\u00eb pastaj shfaqjen n\u00eb sistemin e portaleve me pages\u00eb.<\/p>\n

N\u00eb dhjet\u00ebvjet\u00ebshin e fundit dy her\u00eb jan\u00eb b\u00ebr\u00eb p\u00ebrpjekje t\u00eb plot\u00ebsohet e t\u00eb ndryshohet Ligji p\u00ebr Kinematografi (2004), mir\u00ebpo interesat e ndryshme dhe mospajtimet n\u00eb mes t\u00eb kineast\u00ebvee zyrtar\u00ebve t\u00eb shtetit kan\u00eb ndikuar q\u00eb ligji t\u00eb mos plot\u00ebsohet.<\/p>\n

Do t\u00eb b\u00ebjm\u00eb nj\u00eb paraqitje telegrafike t\u00eb filmave m\u00eb karakteristik\u00eb t\u00eb produksionit t\u00eb Kosov\u00ebs, q\u00eb u shquan me qasjen ndryshe, me temat e tyre, specifikat e jet\u00ebs urbane dhe me ngulmimin p\u00ebr identitet. Filmi “Babai”,<\/strong> sipas skenarit e regjis\u00eb s\u00eb Visar Morin\u00ebs (arsimiminfilmik e ka mbaruar n\u00eb Gjermani),\u00ebsht\u00eb nd\u00ebr filmat m\u00eb t\u00ebve\u00e7ant\u00eb e m\u00eb t\u00eb suksessh\u00ebm n\u00eb dhjet\u00ebvjet\u00ebshin e fundit, q\u00eb u shfaq pos n\u00eb festivale nd\u00ebrkomb\u00ebtare edhe n\u00eb rrjetin e kinemave gjermane.Autori i ri Visar Morina p\u00ebrmes fatit t\u00eb babait e t\u00eb birit, paraqet atmosfer\u00ebn e dhun\u00ebs e varf\u00ebrin\u00eb e skajshme n\u00eb Kosov\u00eb n\u00eb dhjet\u00ebvjet\u00ebshin e fundit t\u00eb shekullit XX. N\u00eb p\u00ebrpjekje p\u00ebr t\u00eb ikur nga varf\u00ebria e nga dhuna policore, protagonist\u00ebt e filmit nuk kalojn\u00eb m\u00eb mir\u00eb as si refugjat\u00eb n\u00eb Gjermani, p\u00ebrkundrazi zhg\u00ebnjehen, pas shum\u00eb peripecive q\u00eb p\u00ebrjetojn\u00eb. \u00a0Filmi “Babai” me dend\u00ebsin\u00eb e emocioneve, kthesat e papritura e zymt\u00ebsin\u00eb\u00a0 e atmosfer\u00ebs s’t\u00eb le t\u00eb qet\u00eb, t\u00eb mban\u00eb pezull, nd\u00ebrsa t\u00eb nxit\u00eb n\u00eb p\u00ebrsiatje edhe nj\u00eb koh\u00eb t\u00eb gjat\u00eb pasi t\u00eb kesh dal nga salla e kinemas\u00eb. Protagonist\u00ebt Nori (n\u00eb interpretim t\u00eb vog\u00eblushit Val Maloku), G\u00ebzimi (babai Astrit Kabashi), kalojn\u00eb n\u00ebp\u00ebr peripeci e trauma.”Babai” ka atmosfer\u00eb t\u00eb neorealizmit italian, t\u00eb asaj fryme q\u00eb t\u00eb mb\u00ebrthen n\u00eb vaje e ta le shijen e hidhur t\u00eb jet\u00ebs s\u00eb r\u00ebnd\u00eb, \u00ebsht\u00eb i realizuar me mjeshtri e invencion. Filmi \u00ebsht\u00eb bashk\u00ebprodhim i NikoFilm\u201d, (Gjermani), produksioni\u00a0\u201cKrusha\u201d (Kosov\u00eb), \u201cSkopje Film Studio\u201d (Maqedoni) dhe \u201cEauxVivesProductions\u201d (Franc\u00eb).\u00a0 Mori kat\u00ebr \u00e7mime n\u00eb festivalin e madh \u201cFilmfestMunchen\u201d, nd\u00ebrsa n\u00eb \u201cKarlovyVary\u201d u laurua me \u00e7mimin p\u00ebr regjin\u00eb m\u00eb t\u00eb mir\u00eb, si dhe \u00e7mimin \u201cEuropaCinemasLabel\u201d, q\u00eb jepet nga \u201cEuropaCinemasNet\u00ebork\u201d.<\/p>\n

“Gomaret e kufirit”, sipas skenarit t\u00eb <\/strong>Jeton Nezirajt e regjin\u00eb e Jeton Ahmetajt, \u00ebsht\u00eb dram\u00eb q\u00eb paraqet nd\u00ebrthurjen e fateve t\u00ebbanor\u00ebve t\u00eb nj\u00eb katundi kufitar. Ngjarja ndodh n\u00eb fund t\u00eb viteve t\u00eb gjasht\u00ebdhjet\u00eb t\u00eb shekullit t\u00eb kaluar. Katundar\u00eb, ushtarak\u00eb, polic\u00eb e kureshtar\u00eb sillen n\u00eb nj\u00eb rreth t\u00eb mbyllur, nd\u00ebrsa \u00ebsht\u00eb nj\u00eb m\u00ebsues idealist, i cili m\u00eb s\u00eb voni k\u00ebndellet. Ka n\u00eb k\u00ebt\u00eb film situata tragjikomike, humor t\u00eb zi, por edhe metafora politike. Interpretojn\u00eb Shkumbin Istrefi, Florentina Ademi, HysenBinaku, Luan Daka, HazirHaziri<\/p>\n

Nd\u00ebrkaq, “Heroi” i <\/strong>Luan Kryeziu, autor i skenarit e i regjis\u00eb me aktor\u00ebt:\u00a0Arben Bajraktaraj, Adriana Morina, \u00c7unLaj\u00e7i, SalahudinBilali, Enver Petrovci, Xhemi Aga etj. \u00ebsht\u00eb ndryshe nga filmat e tjer\u00eb p\u00ebr luft\u00ebn e fundit. Ai trajton fatin e luft\u00ebtarit, gjendjen sociale e zhg\u00ebnjimin, sepse askush nuk e kupton dhe nuk p\u00ebrpiqet ta ndihmoj\u00eb at\u00ebher\u00eb kur ia ka nevoj\u00ebn shoq\u00ebris\u00eb. N\u00eb vend t\u00eb mir\u00ebnjohjes e pret p\u00ebrbuzja e shp\u00ebrfillja. Filmi \u00ebsht\u00eb pritur mir\u00eb nga opinioni me qasjen e ngroht\u00eb q\u00eb ka ndaj personazheve dhe me p\u00ebrpjekjet p\u00ebr t\u00eb fshikulluar shoq\u00ebrin\u00eb e korruptuar e realitetin e hidhur.<\/p>\n

Regjisori me p\u00ebrvoj\u00eb Agim Sopit ( N<\/strong>jeriu prej dheu, Lul\u00ebpjeshkat e dashuris\u00eb, Kulla, P\u00ebrtej vdekjes, Vjeshta e trendafileve,Anatem<\/strong>a<\/a>etj) n\u00eb filmin “Agnusdei” <\/strong>merret me luft\u00ebn e fundit,\u00a0 t\u00eb trajtuar nga prizmi i dram\u00ebs kolektive e fateve individuale. Duke ndjekur peripecit\u00eb e dy t\u00eb rinjve t\u00eb cil\u00ebt lufta i afron, por p\u00ebrkat\u00ebsia komb\u00ebtare i armiq\u00ebson, regjisori pastaj nd\u00ebrthur\u00eb fatin e tyre, duke e nxjerr\u00eb incestin si lajmmotiv. Mbi incestin nd\u00ebrtohet tragjedia e tyre e dyfishtw. “Agnusdei” \u00ebsht\u00eb filmi m\u00eb i shfaqur i Kosov\u00ebs n\u00eb festivale nd\u00ebrkomb\u00ebtare dhe filmi q\u00eb mori m\u00eb s\u00eb shumti \u00e7mime nd\u00ebrkomb\u00ebtare. Interpretuan:\u00a0Astrit Alihajdaraj, Dafina Berisha, ZaklinaOstir, Enver Petrovci, \u00c7un Laj\u00e7i, Bajrush Mjaku.<\/p>\n

“Tri dritare dhe nj\u00eb varje”, n\u00eb regji t\u00eb<\/strong>Isa Qosjes(Proka, Rojet e mjegull\u00ebs, Kukumi)\u00a0 me skenar t\u00eb\u00a0Zymber Kelmendit, drejtor i fotografis\u00eb ishte G\u00f6khanTiryaki, kameraman i regjisorit t\u00eb njohur turk Cejlan, p\u00ebr dallim nga shumica e filmave ton\u00eb te luft\u00ebs, vet\u00ebm shkarazi i referohet luft\u00ebs, nd\u00ebrsa p\u00ebrqendrohet n\u00eb pasojat. “Tri dritare dhe nj\u00eb varje” nxjerr n\u00eb pah katundin e varf\u00ebr e t\u00eb braktisur, ku heshtja dhe p\u00ebrpjekja p\u00ebr t\u00eb fshehur t\u00eb kaluar\u00ebn \u00ebsht\u00eb makth p\u00ebr t\u00eb gjith\u00eb. N\u00eb \u00e7astin kur del e fshehta e grave t\u00eb p\u00ebrdhunuara, pasi nj\u00ebra nga to i jep nj\u00eb intervist\u00eb gazetarit t\u00eb huaj, nis histeria e lin\u00e7imit t\u00eb asaj q\u00eb e nxjerr k\u00ebt\u00eb tem\u00eb tabu. “Tri dritare…. ” e p\u00ebrfaq\u00ebsoi Kosov\u00ebn n\u00eb konkurrimin p\u00ebr \u201cOscar\u201d. Aktor\u00ebt Kryesore:\u00a0IrenaCahani (Lushe), Luan Jaha (Uka), Donat Qosja (Sokol).<\/p>\n

Brezi i kineasteve t\u00eb reja <\/strong><\/p>\n

LenditaZeqiri, Blerta Zeqiri, ArzanaKraja e Burbuqe Berisha, jan\u00eb kat\u00ebr emra t\u00eb rinj t\u00eb regjisoreve shqiptare t\u00eb Kosov\u00ebs.Disa prej tyre m\u00eb filmat e par\u00eb t\u00eb\u00a0 metrazhit t\u00eb shkurt\u00ebr \u00a0korren suksese edhe jasht\u00ebvendit si LenditaZeqiri me filmin \u201cBallkoni\u201d e \u201cGardhi\u201d , nj\u00eb qasje ndryshe q\u00eb u prit mir\u00eb e mori \u00e7mime n\u00eb festivale nd\u00ebrkomb\u00ebtare.Me filmin tjet\u00ebr “Aga” dram\u00eb p\u00ebr grat\u00eb e keqtrajtuara e t\u00eb dhunuara q\u00eb pastaj i ngrysin dit\u00ebt n\u00eb nj\u00eb azili, Zeqiri nxjerr n\u00eb pah gjendjen tragjikomike t\u00eb k\u00ebsaj kategorie sociale. Jan\u00eb dialog\u00ebt e dendura, q\u00eb rrjedhin pa pra, me l\u00ebvizje t\u00eb shpejta t\u00eb kamer\u00ebs ato q\u00eb i portretizojn\u00eb karakteret, e paraqesin mjedisin ku jetojn\u00eb, nxjerrin n\u00eb sip\u00ebrfaqe fatet e tyre, por megjithat\u00eb gjejn\u00eb forc\u00eb t\u00eb tallen, t\u00eb tregojn\u00eb rr\u00ebfime, t\u00eb nd\u00ebrtojn\u00eb nj\u00eb jet\u00eb t\u00eb re. Filmi ka nj\u00eb qasje interesante, deg\u00ebzim t\u00eb rr\u00ebfimit dramaturgjik, portretizim t\u00eb mir\u00eb t\u00eb personazheve.<\/p>\n

E motra Blerta Zeqiri me filmin “Martesa”, ku \u00ebsht\u00eb edhe skenariste me Kreshnik Berishen jo vet\u00ebm q\u00eb solli tem\u00ebt\u00eb ve\u00e7ant\u00eb me atmosfer\u00eb t\u00eb ve\u00e7ant\u00eb, por theu disa tabu tradicionale, nxori n\u00eb sip\u00ebrfaqe tem\u00ebn p\u00ebr debate q\u00eb e b\u00ebn\u00eb filmin me atraktiv.\u00a0Regjia ishte dinamike, karakteret e portretizuara e t\u00eb realizuara. P\u00ebrmes mjedisit urban, kafeneve, muzik\u00ebs, dasm\u00ebs jo konvencionale, paraqitet jo vet\u00ebm mend\u00ebsia, por edhe frustrimet, traumat, konfliktet me mjedisin, nd\u00ebrsa t\u00eb gjith\u00eb jan\u00eb t\u00eb frustruar, dikush me shum\u00eb e dikush m\u00eb pak. “Martesa” ndryshon shum\u00eb nga filmat e tjer\u00eb t\u00eb Kosov\u00ebs.Interpretojn\u00ebAlban Ukaj, AdrianaMatoshi, Genc Salihu. Bekimi, Anita dhe Noli, jan\u00eb personazhet q\u00eb krijojn\u00eb nj\u00eb trek\u00ebnd\u00ebsh t\u00eb \u00e7uditsh\u00ebm: ajo e dashuron Bekimin, Bekimi e dashuron Nolin, nd\u00ebrsa Noli prap\u00eb e do Bekimin.Alban Uka n\u00eb k\u00ebt\u00eb film shquhet m\u00eb nj\u00eb interpretim dinamik e ekspresiv. AdrianaMatoshi \u00ebsht\u00eb nj\u00eb em\u00ebr tjet\u00ebr i filmit n\u00eb Kosov\u00eb, e ve\u00e7ant\u00eb p\u00ebr m\u00ebnyr\u00ebn e interpretimit, sharmante m\u00eb figur\u00ebn, farfurit\u00ebse me buz\u00ebqeshjen, e k\u00ebndshme p\u00ebr ekran.<\/p>\n

ArzanaKrajaregjisore e skenariste e filmit”Fusha e m\u00ebllenjave<\/strong>“, nj\u00eb rr\u00ebfim dramatik p\u00ebr fatin e fatkeq\u00ebsin\u00eb e ish t\u00eb burgosurve q\u00eb nuk gjejn\u00eb prehje, trajton nj\u00eb tem\u00eb q\u00eb nuk \u00ebsht\u00eb e pranishme n\u00eb kinematografi. Sylanj\u00eb ish-it\u00ebburgosur politik, pas nj\u00ebzet\u00eb vjet\u00ebsh kthehet n\u00eb vendlindje p\u00ebr t\u00eb kapur fijet e humbura t\u00eb jet\u00ebs s\u00eb tij t\u00eb dikurshme. Londra, q\u00eb ia rikthen t\u00eb kaluar\u00ebn b\u00ebhet makth\u00eb e tortur\u00eb, prandaj kthehet aty ku e nisa jet\u00ebn q\u00eb iu k\u00ebput\u00eb n\u00eb mes.<\/p>\n

“Nj\u00eb tregim Prishtine”, n\u00eb regji t\u00eb<\/strong>Burbuqe Berish\u00ebs e skenar t\u00ebGetoarb\u00ebMulliqiBojaj, mund t\u00eb quhet edhe nj\u00eb rr\u00ebfim p\u00ebr Kosov\u00ebn e pasluft\u00ebs, kur varf\u00ebria, d\u00ebshp\u00ebrimi, krimi i organizuar e korrupsioni mbizot\u00ebrojn\u00eb mbi vlerat e qytet\u00ebrimit.Drama sociale del n\u00eb plan t\u00eb par\u00eb, por korrupsioni e krimi jan\u00eblajmtmotiv i filmit, por edhe vrasjet e krimit t\u00eb organizuar dalin n\u00eb pah. Rolet kryesore i interpretojn\u00eb Teuta Krasniqi, Donat Qosja, LuranAhmeti, ArtiolaHamdijaj.<\/p>\n

Dramat urbane, vetmia<\/strong><\/p>\n

“Qiell i trazuar”, regjia e skenari <\/strong>Anton Ndreca, me Jehon Goranin, Arta Mu\u00e7ajn, ImerKutllovcin etj.\u00ebsht\u00eb nj\u00eb qasje interesante, n\u00eb mjedisin urban. Nj\u00eb familje moderne nuk ka probleme ekzitenciale, por e mb\u00ebrthen s\u00ebmundja e s\u00eb sotmes, raportet e komplikuara nd\u00ebrnjer\u00ebzore. Babai vuan nga depresioni e kot\u00ebsia e jet\u00ebs si pasoj\u00eb e persiatjeve filozofike, djali b\u00ebhet narkoman ngaq\u00eb ndjehet i braktisur, kurse vajza b\u00ebhet lezbijke, sepse ashtu e ndjen\u00eb vet\u00ebn m\u00eb mir\u00eb. \u00cbsht\u00eb n\u00ebna ajo q\u00eb p\u00ebrpiqet t’i lidh fijet e k\u00ebputura t\u00eb marr\u00ebdh\u00ebnieve n\u00eb familje, por q\u00eb nj\u00ebkoh\u00ebsisht edhe ajo \u00ebsht\u00eb e infektuar nga s\u00ebmundja moderne, ambiciet p\u00ebr karrier\u00eb.<\/p>\n

“T’padashtun,regjia e skenari t\u00eb<\/strong>EdonRizvanollit me AdrianaMatoshi, Jason de Ridder,NikiVerkaar \u00ebsht\u00eb film q\u00eb pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb ngjarjes e zhvillon n\u00eb Per\u00ebndim, atje ku jetojn\u00eb n\u00ebna me djalin, t\u00eb ikur nga Kosova. Arsyet e ikjes shpalohen m\u00eb von\u00eb, q\u00eb jan\u00eb po aq dramatike. Nd\u00ebrkaq vetmin\u00eb e braktisj\u00ebn i p\u00ebrjeton djaloshi, i cili kap\u00ebrcen n\u00ebp\u00ebr faz\u00ebn kritike t\u00eb adoleshenc\u00ebs. Vetmia n\u00eb mjedisin urban \u00ebsht\u00eb tem\u00eb trajtimi e k\u00ebtij filmi me nj\u00eb qasje t\u00eb ngroht\u00eb. Djaloshi nga Kosova m\u00eb v\u00ebshtir\u00ebsi inkuadrohet n\u00eb Amsterdam, nd\u00ebrsa n\u00ebna, refugjate q\u00eb ik\u00eb p\u00ebr t’iu shmangur nj\u00eb drame tjet\u00ebr, fsheh nj\u00eb t\u00eb kaluar t\u00ebdhimbshme…<\/p>\n

\u00a0<\/strong>P\u00ebr filmin \u0414\u0420\u0423\u0413\u0410\u0420 (<\/strong>Shok)<\/strong> n\u00eb regji t\u00ebJamieDonoughue u fol dhe u shkrua shum\u00eb. Filmi i bashk\u00ebprodhimit britaniko-kosovar\u00eb, i mb\u00ebshtetur n\u00eb ngjarje t\u00eb v\u00ebrteta nga viti 1998, ishte filmi i par\u00eb nga Kosova q\u00eb kandidonte ndonj\u00ebher\u00eb p\u00ebr nj\u00eb \u00e7mim Oskar. \u00cbsht\u00eb filmi m\u00eb i mir\u00eb e m\u00eb trondit\u00ebs p\u00ebr luft\u00ebn 1998-99 n\u00eb Kosov\u00eb, q\u00eb t\u00ebshokon. Dramatik, i drejtp\u00ebrdrejt\u00eb, i ashp\u00ebr,\u00a0 emocional, godit\u00ebs e fshikullues me kuadro t\u00eb shpejta, t\u00eb lidhura mir\u00eb e me nj\u00eb rit\u00ebm q\u00eb t\u00eb mban\u00eb pezull, Shok \u00ebsht\u00eb filmi q\u00eb e k\u00ebrkuam me ngulm\u00eb. Me t\u00eb drejt\u00eb ishte n\u00eb rrethin e ngusht\u00eb p\u00ebr \u00e7mimin Oskar, por fatkeq\u00ebsishtnuk fitoi.<\/p>\n

Nd\u00ebrkaq, kur ta kesh shikuar filmin “Kolona”, nj\u00eb ndjenj\u00eb e vrasjes s\u00eb nd\u00ebrgjegjes t\u00eb\u00a0 mb\u00ebrthen sikur ti t\u00eb ishe protagonist, ai q\u00eb duhet \u00ebt vendos p\u00ebr jet\u00ebn e vdekjen e dy adoleshenteve, e jo polic\u00ebt ata q\u00eb i ekzekutojn\u00eb.<\/p>\n

Autori \u00ebsht\u00eb drejtor i Kosovafilmit, skenarist e profesor ne Fakultetin e Arteve Mediale n\u00eb Prishtin\u00eb. <\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Legjenda:\u00a0 Pamje nga filmi “Babai” n\u00eb regji t\u00eb Visar Krush\u00ebs<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 “Martesa”, i regjisores s\u00eb re Blerta Zeqiri<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 “Shok” i Jamie Donoughue<\/strong>n\u00eb rrethin e ngusht\u00eb t\u00eb \u00e7mimit “Oskar” <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

  Gani Mehmetaj   Kinematografia n\u00eb Kosov\u00eb n\u00eb mes t\u00eb ambicieve e (pa) mund\u00ebsis\u00eb financiare\u00a0   Kinematografia e Kosov\u00ebs n\u00eb dhjet\u00ebvjet\u00ebshin e fundit ve\u00e7ohet me hapjene dukshme ndaj\u00a0 bashk\u00ebprodhimeve e bashk\u00ebpunimeve nd\u00ebrkomb\u00ebtare, me pjes\u00ebmarrjen n\u00eb festivale nd\u00ebrkomb\u00ebtare, me p\u00ebrpjekjet p\u00ebr t\u00eb komunikuar me shikuesit e huaj. Ka m\u00eb shum\u00eb se asnj\u00ebher\u00eb m\u00eb par\u00eb kineast\u00eb t\u00eb […]<\/p>\n","protected":false},"author":7,"featured_media":6764,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[79],"tags":[],"class_list":["post-6895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritika-alb"],"acf":[],"yoast_head":"\nKinematografia n\u00eb Kosov\u00eb n\u00eb mes t\u00eb ambicieve e (pa) mund\u00ebsis\u00eb financiare\u00a0 - \u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.kinoteka.borkko.com\/\u043a\u043e\u0441\u043e\u0432\u0441\u043a\u0430\u0442\u0430-\u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430-\u043f\u043e\u043c\u0435\u0453\u0443-\u0430\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kinematografia n\u00eb Kosov\u00eb n\u00eb mes t\u00eb ambicieve e (pa) mund\u00ebsis\u00eb financiare\u00a0 - \u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430\" \/>\n<meta property=\"og:description\" content=\"  Gani Mehmetaj   Kinematografia n\u00eb Kosov\u00eb n\u00eb mes t\u00eb ambicieve e (pa) mund\u00ebsis\u00eb financiare\u00a0   Kinematografia e Kosov\u00ebs n\u00eb dhjet\u00ebvjet\u00ebshin e fundit ve\u00e7ohet me hapjene dukshme ndaj\u00a0 bashk\u00ebprodhimeve e bashk\u00ebpunimeve nd\u00ebrkomb\u00ebtare, me pjes\u00ebmarrjen n\u00eb festivale nd\u00ebrkomb\u00ebtare, me p\u00ebrpjekjet p\u00ebr t\u00eb komunikuar me shikuesit e huaj. 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